Monday, February 19, 2018

Blues guitarist/vocalist James Kelly releases first solo album Rock N Roll Samurai..raucous and smoldering!

James Kelly hails from Sydney, Australia, and, after almost 25 years of playing guitar in countless bands across the country, he finally got around to releasing his own solo album. The album goes by the name of Rock N Roll Samurai and it features James on guitars, bass and vocals, Carlos Adura on drums and the legendary Big Blind Ray Lechminka on harmonica. The music is a raucous, smoldering stew of so many of his musical influences, drenched in a swampy, blues rock gravy.

Marty's review: James Kelly's brand of hot, pumping, balls to the wall style of blues-rock hits you right between the eyes and will leave you breathless in a very short time. James doesn't hold back with his subject matter either, with everything from (in his own words) "sadistic femme fatales, pushers and dealers, cannibalistic villains and nihilistic abandon!" He delivers the lyrics with a devilish rasp in his voice and his tight band are up front and in your face. With track titles like "Light the Fuse", "My Guitar Wants to Kill Your Mama" and "Cocaine Carolina", what more can you say. Plus his version of John Lee Hooker's "One Bourbon, One Scotch, One Beer" is a killer!

Official website:

Tuesday, February 13, 2018

Patrik Jansson Band new album "So Far to Go"... hot and pumping blues-rock from Sweden

So Far to Go is the third album from Patrik Jansson Band and the follow up to the critically acclaimed 2014 release Here We Are. The all new lineup includes Patrik Jansson on guitar & vocals, Gustaf Andersson on Hammond B3, Fender Rhodes and Piano, Martin Forsstedt on Drums and Thomas Andersson on Bass. The band chemistry is more apparent than ever and each musician’s contribution as well as the songs themselves makes So Far To Go their strongest album yet.

Mikael "Mike" Fall (Harmonica world champion 2013) does a guest appearance on the track Too Blind To See as well as Therese Thomsson who sings a duet on Can't Get You (Out Of My Head). A horn section on four of the tracks also contributes to giving the album a sophisticated classic sound.

PJB has further expanded up on their sound and while some songs are even more in the line of traditional Chicago blues, like Can't Get You (Out Of My Head) and the blues ballad Those Days Are Gone, which best can be described as a mix of B.B. King and Walter Trout. There are on the other end of the spectrum contemporary blues-rock songs like the first single Life Without You, a funky, groovy and highly energetic rocker. As well as the funky instrumental That 70's Thing which brings to mind 70´s era Freddie King. The common thread through it all is the apparent focus on great songwriting and creating great melodies, arrangements and musical performances that makes each song stand on its own.

Listening to the album you can spot influences of contemporary blues masters like Joe Bonamassa, Walter Trout, Gary Moore, Robert Cray, Jeff Healey and Matt Schofield, but also the old blues giants like B.B. King, Freddie King and Stevie Ray Vaughan. But most of all it sounds like Patrik Jansson Band 2017.

Marty's review: fans of traditional and contemporary blues will eat this one up and find it very easy to digest. Searing blues guitar from Patrik Jansson backed by his tight and professional band of accomplished musicians with some guests added in the mix. Some highlights are the keyboard solo on Life Without You, guest vocalist Therese Thomsson on Can't Get You (Out Of My Head) and the funky groove of That 70's Thing. Blues fans will find plenty of influences from artists past and present but the PJB make the sounds their own and deliver them with gusto and finesse.

Recorded at Sound Society Studios, Gävle. Mixed and mastered by Patrik Jansson and Martin Karlegård at Sub Mob Studios, Stockholm 2017.



Friday, February 9, 2018

Blues/Rock/Soul artist Popa Chubby new album "Two Dogs"..a big, bad sonic bomb!

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays trumpet and contributes horn compositions. Ace drummer, Sam “Freight-train” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

Official website:

Marty's review: Popa Chubby delivers his brand of rocking blues with soul on this latest release that doesn't hold back. Top-notch production, songwriting and fine musicianship all combine to make this one that will be worthy of many listens. Popa's years in the business and multiple talents come together on this 13 track release that covers several genres, all with the Popa Chubby sound that fans know and love, big, bad and boom!

Friday, February 2, 2018

Guitarist Andy Gunn aka Scotland's B B King new release "Warm Heart Blues"...classic blues sound

Andy Gunn is sadly one of these special artists who’s lived what he sings and has been through a lot, but, like many a blues musician, Andy’s been gifted with 9 lives... His music, life story and determination have really inspired and he was recently heralded as ‘a great lost Scottish talent and one of our finest ever blues players’. When Rob Ellen wrote ‘Andy Gunn is the blues’, he was referring to the deep personal tragedies that have affected Andy’s life and health.

Born with Haemophilia, as a child, Andy was one of the patients affected by blood products contaminated with HIV and Hepatitis C in the 1980. For many years, Andy campaigned to bring justice for his fellow victims of the contaminated blood scandal. These protests eventually helped to bring ex-gratia payments to others who were affected by the tragedy. These infections played a large part in him falling into the world of alcoholism and addiction as a teenager, he has now been in recovery for many years and tries his best to give back to others suffering from depression and addiction in the community.

Too Many Guitars to Give Up Now” hasn’t been the easiest to make, having been suffering from Peripheral Neuropathy (numbness) in his hands due to his ill health Andy had to fight on to produce this remarkable record. Inspired by a conversation about owning an embarrassing number of guitars, when asked “how many do you have?” all Andy could say was “put it this way, I’ve got too many guitars to give up now!” and so this album was born.

Recorded on an analogue system to retain that warm classic blues sound the album was recorded live over two days due to Andy’s Peripheral Neuropathy. His determination and strength as a guitarist is truly inspirational, This is an record as real as the life he’s lead through the ups and the downs. Andy can articulate the blues like no other, his optimism, style comes across on this record and transends words live. Seeing him perform is an electrifying, uplifting and unforgettable experience. When Blues in Britain described Andy’s music as ‘a resounding triumph over adversity’, they were on to something. 

Going from strength to strength, and playing gigs throughout the UK Andy will be on touring to support the release of this record alongside some of Scotland’s finest musicians, please see his UK tour dates below..

2nd Balintore Inn, Balintore 9pm
3rd Wick Assembly Rooms 7:30pm £7
10th Blue Lamp, Aberdeen £15, £10 concessions
16th Stramash, Edinburgh 7pm start
17th Stereo, Glasgow 7pm £8
23rd Eden Court, Inverness 8pm £13
24th MacPhail Centre, Ullapool 7pm £7

8th Cluny, Newcastle £8
9th The Whisky Jar, Manchester £8
10th The Magnet, Liverpool £8
11th Half Moon, Putney London £8 (£10 on door)
17th Smokestack, Leeds £6
18th The Maze, Nottingham £6

Tuesday, January 30, 2018

Andrea Marr new album release "Natural"...high-energy blues-soul with the sound of Stax and Motown

Andrea Marr’s first full-length soul album is a high-energy, horn-laden ride into the music that she loves the most - the sound of Stax and Motown, James Brown, Otis Redding, Etta James and Sharon Jones, but with her own distinct spin on it. ‘Natural’, Andrea’s 7th release, is an album that gives you the best of her, the expressive and passionate songwriter, with 9 originals on the album. Andrea was born in Sri-Lanka then immigrated to Melbourne, Australia at the age of 14. From the age of 19 onwards she sang professionally in bands, forming her own blues band in 1999. Among her many awards and accolades in Australian Blues, Andrea has won the 2009 Australian Female Blues Artist of The Year Award and the 2005 and 2012 Blues Performer of The Year Award, representing Australia at the IBC in Memphis twice.

This album features Andrea’s 8 piece soul band The Funky Hitmen, who formed in 2012 and released the EP “Sass and Brass” in 2013 on Chicago’s Blue Skunk label. This is the full album of what was started back then - although some of the players have moved on, the sound remains the same, dynamic, energetic, joyful and powerful.

Marty's review: Fans of old school soul a-la Motown and Stax will eat this one up with its high-energy, funky, brass-powered assault and the powerful, up-front vocals of Andrea Marr. 11 tracks, 9 of them written or co-written by Andrea, that take you back to that soul sound of the 60's and 70's with a contemporary production that is delivered with gusto and polish. This lady deserves all the credit she has received and definitely delivers in a big way.

‘Andrea is truly a first class singer, with a dynamic, gospel fuelled voice’ - Blues Blast Magazine Chicago
Andrea Marr’s voice is so sensual and sassy, her command of her idiom so assured that one wants to accost strangers to tell them’ - The Age Newspaper Australia
‘Marr has inherited a style that made Etta James a legend and Sharon Jones a cult phenomenon’ - Leicester Bangs UK
‘If you like Sharon Jones and the Dap-Kings or The Dynamites, you’ll go for this!’ - Rhythms Magazine Australia

Official website:

Tuesday, January 23, 2018

The Dozens new EP release "Test"...female-fronted blues and southern rock

THE DOZENS return to the airwaves with the follow up to their critically acclaimed 2015 EP.  Their newest release, “TEST” expands upon their swampy, southern R&B roots while also exploring new musical and lyrical territory for the band.  A harder, yet soulful edge emerges from each new track showing a band more determined than ever to get their long form live show condensed and captured on tape.  The powerful opening track TIDAL WAVE is as literal as it is figurative.  Shelley Butler’s vocal fury builds and drops into a sudden halt until the DOZENS' trademark dual lead guitar lines ride out with Steven Butler’s thundering drums. TOOK A WALK features a reflective side of the band with swirling keyboard textures from Dan Hocter while HAVE A HEART inspires with an uplifting and deep message against a vintage R&B bass line from Brent Irvin.  BATTLE SCARS reflects Butler’s introspective and self-affirming lyrics against an energetic rhythm section. Classic New Orleans grooves and straightforward rock are both presented with CHASE ME while THE END allows the guitar section of Travis Posey and Chip Dews to explore instrumental avenues with extended solos and layers of guitars. The final track, SOME KIND OF VOODOO, dives into swamp blues with acoustic slide guitar on top of a sparse but soulful vocal from Butler.

Pot-luck R&B, hippie-rock, skeleton blues, country-funk and candlelit balladry surface on The Dozens’ sophomore EP, “Test.” The North Alabama/Tennessee Valley band cut the seven-song release on analog tape at Decatur’s Clearwave Studios. Jeremy Stephens recorded “Test” and co-produced the record with The Dozens.  Standout cuts include opener “Tidal Wave,” writhing with jungle grooves, wah-wah guitar and front woman Shelley Butler’s river-flow vocals. (The Dozens’ lineup also features drummer and Shelley’s husband Steven Butler, guitarists Travis Posey and Chip Dews, bassist Brent Irvin and keyboardist Dan Hocter.) Allman-esque slide skids across “Have a Heart” and “The End,” while silver Hammond organ swirls pool on “Take a Walk.” A boogie coda gooses “Chase Me.” “Some Kind of Voodoo” closes the EP with an acoustic dirge echoing classic Black Crowes hidden-track "Live Too Fast Blues/Mercy, Sweet Moan." Fans heartbroken about the Crowes going kaput - or just fond of Gov’t Mule concerts and old Delaney & Bonnie records - will find solace in this soulful set.

Marty's review: all elements of roots music abound on this impressive EP release from The Dozens. From blues to soul to funk and groove, all bases are covered here for an entertaining and exhilarating ride on this 7 track collection of outstanding tunes. With Shelley Butler's soulful vocals up front backed up by polished and professional group of musicians, this will please roots music fans, particularly if you're fond of southern blues-rock.


Friday, January 19, 2018

International Blues Challenge # 33...14 tracks of the best in contemporary blues

Over the past thirty-three years, one of The Blues Foundation's key events, the International Blues Challenge, has blossomed into an industry-leading annual showcase of the best new talent the genre has to offer. What began in 1984 as a handful of acts displaying their talents today stands as the world's largest gathering of blues musicians. The IBC makes careers, forges relationships between artists and industry veterans, and unites blues fans in their love for the music.

The 14 tracks on this CD, the result of a partnership between The Blues Foundation and Frank Roszak Promotions, were drawn from this year's Solo/Duo division and Band division finalists. First Place Band winner Dawn Tyler Watson's gospel-infused "Shine On" kicks off the compilation in powerful fashion. "Let’s Hear Some Blues," by Johnny Fink & The Intrusion, is a down-and-dirty shuffle you can't help but sing along to. Randy McQuay's "Til I Get To Memphis" features white-hot slide guitar and an impassioned vocal, while Brody Buster’s One Man Band takes blues storytelling into the future on "2029." Next up is First Place Solo/Duo winner Al Hill with "Don’t Dig Today," a deeply felt piano blues. It's followed by The Sobo Blues Band, whose "Catfish Boogie" builds to a pounding climax punctuated by an irresistible guitar riff. 

"I Don’t Have Proof," by Ruth Wyand & The Tribe Of One, offers a new twist on the time-tested blues topic of infidelity, while The Souliz Band Featuring Sugar & Spice looks at the happier side of romance on the ebullient "Good Lovin' (Hot & Fresh From The Oven)." Felix Slim invokes the down home simplicity of front-porch country blues on "I Hate You Cause I Love You," followed by another acoustic artist, Wes Lee, who tells the tale of an escapee running from the law on "Chains That Bind." Keyboardist Sam Joyner's "Onions Ain’t The Only Thing" plays with a clever blues analogy over some stinging fretwork, and Rae Gordon & The Backstreet Drivers cook up a tight groove with "Elbow Grease." Closing out the CD are King Bee, whose "Dangerous" is as hard-hitting as blues-rock gets, and Sugar Brown, who rides off into the sunset with a world-weary howl on "Meet Me In The Country."

Together, these fourteen wide-ranging artists show why the International Blues Challenge is one of the premier events in today's blues world.

Now available from the official Blues Foundation site

1. “SHINE ON” 5:12
 Dawn Tyler Watson, Montreal Blues Society (Dawn Tyler Watson)
 Johnny Fink & The Intrusion, Dayton Blues Society (J. Fink)
 Randy McQuay, Cape Fear Blues Society (Randy McQuay)
4. “2029” 3:56
 Brody Buster’s One Man Band, Kansas City Blues Society (B.
5. “DON’T DIG TODAY” 4:47
 Al Hill, Nashville Blues Society (Al Hill, Whit Hill)
 Sobo Blues Band, Israel Blues Society (A. Ganzman, D. Kriman)
7. “I DON’T HAVE PROOF” 2:45
 Ruth Wyand & The Tribe Of One, Triangle Blues Society (R.Wyand)
 Souliz Band feat. Sugar & Spice, Suncoast Blues Society (V.Glover)
 Felix Slim, Asociación Musical Blues Hondarribia (Felix B. Amieva)
 Wes Lee, Mississippi Delta Blues Society of Indianola (Wes Lee)
 Sam Joyner, Vicksburg Blues Society (Sam Joyner)
12. “ELBOW GREASE” 3:23
 Rae Gordon & The Backstreet Drivers, Cascade Blues Assoc.
(Ruth Gordon, Pat McDougall)
13. “DANGEROUS” 5:38
 King Bee, Magic City Blues Society (D. Cunningham, S. Cummings)

 Sugar Brown, Toronto Blues Society (Ken C. Kawashima)

Tuesday, January 16, 2018

The Jimmy Zee Band..What You See Is What You Get...rootsy blues with a touch of soul

The latest compilation of tunes from Jimmy Zee features some of Canada's greatest players including, Rob MacDonald, Tim Porter, Harpdog Brown, Darryl Havers, Joel Fountain, Miles Hill, Steve Hilliam, and Nadine States. Feature guests include Annabelle Chvostek on backgrounds, Terry Townson on Trumpet, Elliot Polsky on percussion and Rick Threat (Backroads). Produced by Mark Henning and Jimmy Zee.

Jimmy Zee's unmistakable bluesy-soulful voice is the musical trademark that has forged his path throughout the music business for 25 years. Zee's vocals approximate a cross between Joe Cocker,Tom Waits and Robbie Robertson's latter spoken style. 

Marty's review: It took me a while to get around to listening to this album but I'm glad I did. 10 killer tracks of rootsy blues with a touch of soul and Jimmy's unique vocal style make this a must have for blues fans. A good mix of electric and acoustic numbers, outstanding guitar work, harmonica and tight rhythm section all come together to produce an album that confirms the talents of this veteran blues man. My favourite track, "I Ride Alone".

Sample the album here:

Saturday, January 6, 2018

61 Ghosts ...To The Edge...high energy indie blues with razor-sharp dynamics

Joe Mazzari and Dixie Deadwood, a duo based out of the Northeastern USA, draw upon their own personal musical influences, their combined passion and need to create a style of music all their own -- one that's influenced by the urban streets and the restless spirits of the Mississippi Hills. Each had honed their own sound through years on the road: Mazzari with his poignant lyrics, melodies and rock guitar, Dixie with her bare-knuckled approach to drumming. Together, Joe and Dixie mix steamy grooves, razor-sharp dynamics and high energy to create what they refer to as “gritty and primal rock 'n' roll.”

Joe brings his gutter-rock guitar, gritty vocals and strong stage presence fostered through his years touring and recording with Johnny Thunders, Walter Lure and Jerry Nolan of Heartbreakers and New York Dolls fame. Influenced by John Hiatt, Bob Dylan, Link Wray, Rory Gallagher and various Delta blues musicians, Joe began writing roots-rock music in his 20's. 

Dixie played drums behind famed blues man Leo "Bud" Welch for years and has performed at more than 20 festivals and venues in the US, Europe and Africa. She is featured in a documentary on Welch, "Late Blossom Blues: The Leo ‘Bud’ Welch Story,” released in January 2017, and on Welch's Mississippi Blues Trail Marker as his drummer. Dixie also played in the All Night Long Blues Band for four years and recorded three albums of Mississippi Hill Country blues. 

Official website:

Marty's review: 61 Ghosts take the blues, strip it down to the bare bones, add a bit of raw-edged rock  and roll and deliver it with high intensity on this 6 track EP release. Smokin' hot guitar licks, a solid back beat and lyrics that are taken from the street, this is back to roots music that asks to be noticed and delivers straight down the barrel with no excuses.


Thursday, January 4, 2018

Soul revivalists Soul Messengers back with a new album 'Vision and Faith'..tasteful and catchy grooves

Soul Messengers are from Sydney, Australia. Just as their name indicates, listening to their newest album, “Vision & Faith,” you will get caught by a warmth and comforting feeling, while also delivering tasteful and catchy grooves reminiscent of soul giants like Charles Barkley or Bill Withers.

"We really think this is our best work to date. The arrangements and sound on the tracks are more 'us' than ever. With Sam Teskey mixing we've got someone who really is into and understands that true soul sound. We just love how he has taken care of this record." Richard Aljinovic, Soul Messengers

Previously known as Chich and The Soul Messengers, the Sydney based bluesy-soul revivalists present a dynamite live show honed at regular gigs in Sydney and surrounds, the band having played over 85 shows since 2014 at venues such as Marrickville's Lazybones, Newtown's Leadbelly and Sydney's The Basement. In addition to performing regular shows Soul Messengers have been added to NSW festivals Double Bay Street Festival and The Northern Beaches Music Festival in multiple years. Add in past residencies at Enmore's Vic on the Park, Marrickville's Gasoline Pony and Newtown's Botany View Hotel and you have one of Sydney's most booked originals bands.

Soul Messengers are Rich Aljinovic (vocals, guitar), Simon Morel (guitar), Hadi Ansell (bass) and Dave Kirby (drums). They love to play live and are intent on spreading their soul manifesto. With a great rhythm section and happening lead guitarist behind him, Rich feels free to let go and enjoy the moment, freeing his gutsy, soul drenched voice to float between grooving rock 'n' soul to sweet sultry ballads.

Artist Links

Friday, December 29, 2017

Guitarist Alastair Greene releases "Dream Train" on Rip Cat Records..blues rock that's right on track

Alastair Greene’s musical journey has been anything but traditional. His combination of blues, Southern rock, and jam band sensibilities have been thrilling audiences for nearly two decades. With recent appearances at the Chicago Blues Festival and the Big Blues Bender in Las Vegas, as well as guest appearances with such luminaries as Eric Burdon, Walter Trout, Coco Montoya, Savoy Brown, John Nemeth, and Debbie Davies, it’s crystal clear: His star is on the rise. 

Alastair recently plunged headfirst into a full-time solo career, stepping down after 7 years touring the world as the guitarist for rock legend Alan Parsons. Alastair is philosophical about his time playing with Parsons, saying, “I’ll always be grateful for the opportunity Alan gave me to handle guitar and vocal duties in his band. It was an honor to play the music created by the Alan Parsons Project to Alan’s fans around the world. After 7 years, the time has come for me to truly pursue my own musical dream.” 

The culmination of his musical experiences, influences, and passion is manifested as his new record, "Dream Train." The album was produced and mixed by David Z, whose production credits include Buddy Guy, Gov’t Mule, Kenny Wayne Shepherd and Jonny Lang. "Dream Train" features 13 new songs, 12 of which are Greene originals. The sole cover is a previously unreleased song written by none other than Billy Gibbons of ZZ Top called "Nome Zayne," which was recorded with Billy’s blessing. 

The songs on "Dream Train" range from the hard driving blues rock of the title track, to the sensitive Curtis Mayfield tinged instrumental Iowa. "Big Bad Wolf" finds the band in familiar boogie blues rock territory while "Daredevil" takes listeners on more traditional blues shuffle ride. 

"Dream Train" also features an impressive array of special guests including: Walter Trout, Debbie Davies, Mike Zito, Mike Finnigan, and Dennis Gruenling. Alastair is supported on "Dream Train" by his touring band consisting of Jim Rankin on bass, and Austin Beede on drums.

Marty's review: right from the first notes you know this album is going to grab you by the throat and not let go. Alastair's licks are first class, and the driving rhythm behind him gives a punch that will more than knock you out. From the blues-rock of the title track to the boogie of "Big Bad Wolf" and "Noma Zayne", the smooth blues instrumental "Iowa" and the one acoustic number "Song for Rufus", the 13 tracks on this release will please fans of the likes of ZZ Top, George Thorogood, Rory Gallagher and Robin Trower.

Official website:

Rip Cat Records:

Guitar Player:

Tuesday, December 19, 2017

McKee Brothers 2nd album release "Moon Over Montgomery"...high energy and soulful

Moon Over Montgomery,” the second release by The McKee Brothers, once again features inspired performances by a talented roster of players from Los Angeles and Michigan, including soulful vocalists Bob Schultz (original keyboardist with Bob Seger), Jeff Robinson, Reggie Gonzales, Maxayn Lewis, Laith Al-Saadi (vocal and guitar – 2016 finalist on “The Voice”), Larry McCray (vocal and guitar), guitarist Ari Teitel, keyboardists Bobby West and Jim Alfredson (formerly with Janiva Magness and in Organissimo), horn players Lee Thornburg (formerly of Tower of Power, now touring with Joe Bonamassa) and Doug Webb (Posi-Tone Records recording artist), bassists Bobby Watson (Rufus), Al Threats, and J.V. Collier (Bruce Hornsby) - as well as the brothers themselves: Denis McKee on guitar, keyboards, bass, and vocals, and Ralph McKee on bass, lap steel guitar, and vocals.

The music is high-energy and soulful, in several styles, from gospel (the inspirational title track paying tribute to the 1965 civil rights march), gritty funk ("Go 2 Work!," "Bayou Man," "I Feel Like Dynamite," "Blues of the Month Club"), soul ("Where You Gettin’ It?," "Runaway Love," and the Latin-flavored "Late at Night"), jazz-blues ("Kicks"), to the funky country of "Confidential" and the rock of "Remember When." Check out Laith Al-Saadi’s vocal and Larry McCray’s guitar on "Worried About Tomorrow," the incendiary blues vocal by Jeff Robinson on "You Know How I Lie," with smokin’ guitar by Al-Saadi, the rhythm section’s irresistible New Orleans grooves on "Flat, Black, & Circular" and "Pigfeet," the great Lee Thornburg horn arrangement on the gospel ballad "Celebrate Me Home," and some impressive guitar work throughout by Denis McKee.

Marty's review: with a cast of thousands (well, a couple of dozen) and a generous 16 tracks, this 2nd release from the McKee Brothers has the works. From brassy soul-blues to roots based licks and gospel ballads, this well produced album has enough fuel and ammunition to get you to the moon and back. All you would except from a class act and more. If there is a blues equivalent to the wall of sound, then this might be it.

Saturday, December 16, 2017

Trainman Blues..modern blues-roots with a 50's style rawness and simplicity

Trainman Blues is a 4 piece modern blues/roots band, soaking the rawness and simplicity of 50's style blues with modern production techniques. With three singles released and a debut album set for release in February/March, this band is picking up steam. Based in Copenhagen, Denmark,  the band is comprised of Irish singer/guitarist Richard Farrell ( https://www.richardfarrellandt, Ronni Boysen on guitar (Kokomo king and Mud Morgenfield), Laust Nielsen (Blues Producer and Mojo's in-house Bass player) and drummer Thomas Crawfurd ( Fried Okra Band).

Trainman blues is the brainchild of Richard Farrell and Laust Nielsen.They have recently written, produced and  recorded songs together over the last 8 months and they’re looking forward to releasing an album in the start of 2018. Their sound takes inspiration from the raw and roots style blues before it developed into rock ' n ' roll. Fast forward 50 years, with modern production techniques, and now you have the Trainman Blues sound... 

Richard is an Irish man who has found his spiritual home in blues music, he breathes, sleeps and sings the blues, it is second nature to him. From the chugging sounds of the train to the warbling voices of the gospel singers, Richard and his band encompass a wide sound. He sings with guts and all heart, playing a a hollow body guitar in a finger style manner. On the bass guitar is Laust Nielsen, planting delicate and warm bass lines with ease and precision. Laust has been sculpting and producing the songs with Richard for the upcoming album. The up coming album and new single display a new take on blues production, combining a taste of the old and new, with a laid back and downplayed feel, the songs wash over the listener with soothing charm and intriguing ambience. 

Featured on the upcoming album and also playing in a live setting are blues aficionados Ronni Boysen on guitar and Thomas Crawfurd on drums. Ronni commands and weaves powerful riffs and solos on the guitar, playing with the likes of Mud Morgenfield ( Muddy Water’s son) and Kokomo Kings, his tastefulness and vigour for blues reaches beyond the shores of Denmark. Thomas is a melodic and thoughtful drummer, who has finely tuned ear for creating beautifully layered, simple textures. Thomas plays also with Fried Okra band. 

Facebook: manblues/

Tuesday, December 12, 2017

American blues-rock guitarist, singer and songwriter Joel DaSilva new album "Everywhere From Here"

Joel DaSilva is an American blues-rock guitarist, singer and songwriter hailing from Chicago, Illinois, and currently based in Fort Lauderdale,Florida. He has recently released his brand new album, "Everywhere From Here". The album was produced by  Grammy winner Eddie Perez at TruNoyz Studios in Fort Lauderdale. Joel, who has been performing as a lead guitarist and vocalist since the age of 18, was the front man for the renowned South Florida blues band The Hep Cat Boo Daddies for 13 years before breaking out on his own as a solo artist. Besides acting in several independent films, Joel's resume includes performances with dozens of blues, rock, and roots notables, including B.B. King, Ray Charles, Leon Russell, Johnny Winter, and The Fabulous Thunderbirds, among others.

Delving back deeply into his Chicago Blues and Americana roots, DaSilva has emerged with some truly visceral new material, the culmination of months of soul searching, hard living and late night driving. The first single from the album is titled "Shake," and is a simmering, swampy slow-burner of a song that builds to a fiery guitar solo and really shows off Joel's power and passion. 


Official website:

Sunday, December 10, 2017

Award-winning guitarist Gwyn Ashton’s new album Solo Elektro, one-man lo-fi garage stoner distorto blues-rock

Solo Elektro is award-winning guitarist Gwyn Ashton’s new one-man lo-fi garage stoner distorto blues-rock album. Full of chord-crunching fuzz guitar, dirty octave dividers and slamming kick drum, it’s a 100% explosive live-in-the-studio recording, sounding retro, with a modern evolution, as heard on the riff-pumped 'She Won't Tell Me'. If you like Sgt Pepper, Jack White and The Black Keys, you'll LOVE Solo Elektro!  The album is heavily inspired and a homage to mid 60's Beatles albums.

'A post-psychedelic Phil Spector style wall of sound. If you’ve never heard Gwyn Ashton before listening to this album, you’d swear he’s part of an underground contemporary scene you might have missed. ‘Solo Elektro’  flies the flag for a psychedelic indie blues artist who is only truly happy when he finds new exciting outlets for his oeuvre. It’s an album shot through with raw, brash, kick-ass psychedelic tinged stoner rock with a blues heart and is worthy of your attention. ****’  Pete Feenstra, Get Ready To Rock

‘The journey is full of complexities, sonics that challenges your ear deftly combined with Gwyn Ashton’s sharp musical wit and timing. One thing for sure this marmite album from a one man band has a broad range of in your face rocking blues with complex sounds that never makes the mistake of falling into the pit of self-indulgence’. - Bluesdoodles

‘I produced hard rock for Alberts (Choirboys) and knew the AC/DC, Angels, Rose Tattoo guys quite well. Sounds like it would have fit in well with the Alberts stable of artists back then’. - Jim Manzie, Sydney / LA-based film music and record producer

Official website:

Friday, December 8, 2017

Aussie blues brothers "LamBros." release fiery new single "Do Something"

Up and coming Australian brotherly duo, LamBros., have just released their newest single, "Do Something". They've been playing around the country for the last few years at festivals including the Byron Bay Bluesfest.

The song is about the way of tackling the inner demons we face when deciding what to do with our lives. It seems like people are constantly making decisions between doing what they love, or what society tells them to do, and we think that life's too short to live like that. We want people to live without regrets, and live on their own terms. They wrote and produced the song themselves.

Stream or buy the full EP online at:

Find out more on their facebook page:

Saturday, December 2, 2017

Americana artist Janie Barnett new album release “You See This River”..stories of ambiguity and passion

Americana artist Janie Barnett recently released her album “You See This River” which reached the top 20 on Americana radio in its first weeks of release, and is on the first-round Grammy ballot in the following categories: Best Folk Album, Best American Roots Song (“Crazy Good Thing”) and Best American Roots Vocal (“Crazy Good Thing”). 

“You See This River” is the result of Barnett’s long search for artistic authenticity. She has mined her experiences as parent, partner, artist, and social animal, presenting stories that are full of ambiguity and passion. 

Recording artist Kenny White says of her work: “Janie turns the bumps, bruises, and joys of life into evocative and relatable songs…and makes it sound easy…which ain’t easy.”

Stream the album: /playlist?list=PLCi2eb0eS-r6o0 Xe-eIoOvUE32cxOZI8o

A Virginia native, Janie Barnett cut her teeth on bluegrass festivals, church coffeehouses, and the American Folklife Festival.  When she met iconic Americana barnstormer and Newgrass pioneer John Hartford at Folklife, so began her love affair with the alternate roots movement. One can see the roots of this renegade impulse throughout Barnett’s growing up. She defected from the local high school for boarding school, where, ironically, she found her tribe of outside-the-box musicians.  She then defected from the Ivy League to play in a roots and reggae band in New Hampshire and Cambridge, and ultimately defected from the New England music scene to New York City. Barnett rose in the freelance world, making a name for herself as a smart, precise, and professional chameleon musician, singing on countless film, tv and commercial projects, as well as singing backup for iconic stars like Linda Ronstadt, Celine Dion, and Rickie Lee Jones. Appearances on SNL, The Today Show, membership in an elite session musician supergroup – these were the bookings of that time.

Barnett rose to become one of the top 20 session singer calls, while continuing her search for her own essential expression - the essential songs, the essential timbre, the core family of musicians. “I was also going through the long process of my marriage ending. My partner and I needed to set each other free in order to be ourselves. I recognized I had to own that process in the music.” Several collections of music were released through those years, but none Barnett felt had fully captured her authentic voice as a writer or musician.

“You See This River” is the culmination of Barnett’s years of searching and exploring, and living a life that many of us find ourselves living: “By trial and error we find ourselves, we retrieve ourselves from our own fires and folly. We poke and prod and with luck we find our authentic selves and stop looking over our shoulders. The renegade is part of my DNA in a good way, but it also played a role in running from myself. This record, these songs, reflect a period where I stopped running. So the stories reflect the process, and the sound reflects the result.”

​Janie currently splits her time between Brooklyn and Boston, where she has been an associate professor at Berklee College of Music for close to 15 years.


December 3, 2017
Janie Barnett’s Urban Americana Holiday Party
City Winery 
New York City, NY

December 16, 2017
Natick, MA
Opening for Paula Cole

December 17, 2017
Stoned Soul Picnic, featuring Diane Garisto and Friends 
City Winery 
New York City, NY
Guitar and Vocal

December 30, 2017
Black Squirrel Cafe 
Vienna, VA 

January 20, 2018 
Stoned Soul Picnic
Celtic Connections Festival 
Glasgow, Scotland 

February 10 and 11, 2018
Club Passim
Cambridge, MA  
Opening for Buskin and Batteau